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‘The Turn of the Screw’ (2001)
Inspired by a short extract from the novel, we watch as the governess enters the dining room and suddenly catches a glimpse of the ghost of Peter Quint, peering through the window from outside. His intense stare forces her to impulsively bound for the door in a futile attempt to catch and confront him by quickly running through the house to the outside terrace, only to be faced with a discomforting empty landscape. As we continue to follow in her footsteps, the governess rushes to the window, mimicking his pose by pressing her face to the glass and peering into the empty room herself. A circular narrative is created by reiterating the earlier vision of the ghost, through a continuous series of still projected images that gradually builds up tension as they slowly dissolve from one into another; lingering on each shot to reveal the action in a deliberate fashion. The ghostly textuality of the projection itself is heightened by the brief multi-layering effect as one image fades into the next. The silence of the nine minute duration of the projection intensifies the quiet, eerie atmosphere experienced by the viewer, who is left to consider whether the ghost was in fact real or imagined.Exhibition History:
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| © 2007 Sally Waterman. All rights reserved | ||||||||||
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